Tuesday, January 27, 2026

Tuesday This And That

The RIAA (they’re the folks who keep track of record sales) has announced that the original “Eagles’ Greatest Hits” (from 1975) has just become the first album in history to be certified Quadruple Diamond for sales of over 40 Million Copies.  (Incredibly, numerous greatest hits albums by this band have been released since that are far more complete … this 1975 release even predates “Hotel California!”)

But I guess that’s ok because The Eagles’ “Hotel California” album is in THIRD place with sales of over 28 million copies.  (Wedged in between these two is Michael Jackson’s “Thriller” LP, which now records sales of 34 million.)

What’s interesting is that each of these releases were single LP’s … most of the rest of The Top Ten are 2-LP sets, which earned one sale for EACH album sold in the set, thus inflating their overall performance by double the actual number of physical copies moved.

That’s how albums like “The Beatles” (The White Album) reached sales of 24 million, and 2-record sets like “Billy Joel’s Greatest Hits, Volume I and II,” Pink Floyd’s “The Wall” and Garth Brooks’ “Double Live” albums each sold 23 million copies.

Still, there are some VERY impressive numbers posted by single LP’s like AC/DC’s “Back In Black” (27 million), “Led Zeppelin IV” (24 million), “Cracked Rear View” by Hootie and the Blowfish (22 million) and “Rumours” by Fleetwood Mac (21 million)

If anything, I’m a bit surprised by what’s NOT there … no “Dark Side Of The Moon,” no “Sgt. Pepper” or “Abbey Road” … no “Tapestry” or anything by Elton John, “Led Zeppelin II,” “Frampton Comes Alive” … nothing by Stevie Wonder, who ruled the charts back in the ‘70s … “Bridge Over Trouble Water,” “Saturday Night Fever” … nothing by Springsteen or Prince … or even The Rolling Stones and *NSync!  (kk)  

Meanwhile, Bruno Mars’ new single “I Just Might” debuted at #1 on The Billboard Hot 100 Pop Singles Chart this week.  (It’s another great retro track from Bruno who, incredibly, has not released a new album on his own in ten years now.  

This becomes Bruno’s tenth #1 Hot 100 Hit, which ties him with Janet Jackson and Stevie Wonder, both of whom have also topped the chart ten times.

Here is the rest of the list leading up to the leaders, The Beatles still at #1 with 20 chart-toppers:

20 - The Beatles

19 - Mariah Carey

14 - Rihanna

13 - Drake, Michael Jackson, Taylor Swift

12 – Madonna, The Supremes

11 - Whitney Houston

10 - Janet Jackson, Bruno Mars, Stevie Wonder

Very sad to report that Phil Collins is now under 24 hour care.

Phil said "Everything that could go wrong with me, did go wrong with me."

Collins celebrated his 75th birthday last week … and in an interview with Zoe Ball of Eras he told her “It’s an ongoing thing.  I have a 24-hour live-in nurse to make sure I take my medication as I should do. I’ve had challenges with my knee. I had everything that could go wrong with me, did go wrong with me.

“I got COVID in hospital. My kidneys started to back up. Everything seemed to converge at the same time.  He also stated that he has undergone five knee surgeries and now only has one “that works.  I can walk, albeit with assistance, you know, crutches or whatever.”

Collins acknowledges that he brought some of his pain upon himself by drinking too heavily for years … but says that he has been stone cold sober for the past two years.

While he admits to missing making music (although he hasn’t been able to play the drums for years due to so much pain), he also says “I keep thinking I should go downstairs to the studio and see what happens. But I’m not hungry for it anymore.  The thing is, I’ve been sick. I mean very sick.”

This is sad news to report.  I think many of us were hoping he might eek out one more album in spite of all that’s been going wrong with his body … it might even be therapeutic for him to do so … but it doesn’t sound like he’s in the right frame of mind (or physically able) to do so at this time.  Our best wishes go out to him. (kk)

Meanwhile, here’s news of great, recent reunion … Micky Dolenz and Henry Diltz at the Troubadour in Los Angeles …

https://www.youtube.com/watch?v=5DioJj65CD4

Look for a new Beach Boys Box Set release celebrating the Brother Studio years, 1976 – 1977.

They’re referring to it as a new six-disc (3CD & 3LP), 73-track collection exploring the  1976 - 1977 Brian Wilson-penned and produced sessions at Brother Studio, offering up a “trove of unheard outtakes, alternate mixes, instrumentals, demos, and more.”

These tracks include the newly remastered Love You album, unreleased songs from 15 Big Ones sessions, and the first official release of the mythical unreleased Adult/Child sessions.  The expansive compilation also includes extensive liner notes detailing the Brother Studio era, along with beautiful, never-before-seen photos.  The new collection, titled “We Gotta Groove,” will be released on February 13th.  (kk)

And, just before John Mellencamp kicks off his Greatest Hits / Dancing Words tour, his old label (as in “before he had ANY hits”) is releasing a 2-CD anthology featuring some of his earliest works.  (At least these will have bonus tracks – which means I’ll probably end up rebuying them again!)

Full coverage here:  https://theseconddisc.com/2026/01/20/john-mellencamp-early-anthology-john-cougar-mainman/

Can’t wait for the upcoming tour!  (kk)

You gotta wonder how many “future deejays” somebody like Dick Biondi influenced and inspired back in those early days of rock and roll.

This just in from Shadoe Stevens … he was inducted into The Radio Hall Of Fame in 2023 …

I love Dick Biondi!  As a kid growing up in North Dakota, I listened every night. 

On top of a pizza will never die in my mind. 

Thanks!

Shadoe

A Great "Staggering" Story in today's FH!  Stuff in there I did not know!
Thanx!
Chuck

Kent,
Of the many versions of STAGGER LEE recorded through the years, the one I at first noticed missing from your list was the novelty record from 1959 by Spencer and Spencer called STAGGER LAWRENCE on Gone records. Just a takeoff on musical conductor Lawrence Welk. I played it, hadn't heard it in years.
Larry
You're not going to hear THIS one every day!  (lol)
Quite obviously Dickie Goodman ... but this time paired with Mickey Shorr.  They did have a chart hit with "Russian Band Stand" ... if you can call #91 a "hit" ... but this one evidently didn't catch on.  (kk)

Annette Kleinbard Changed Her Name To Carol Conors.

Phil Spector Liked Her Voice And Told Her That If She Had $10, They Could Make A Recording.

She Didn't Have It ... Got It From Her Mother.  They Recorded "TO KNOW HIM IS TO LOVE HIM" In Two Takes..

She Said It Was True That The Title Came From Phil's Father's Headstone. 

She Has A Book And Documentary = "ELVIS, ROCKY & ME."

Elvis Liked Her Voice. They Met. She Dated Him For 9 Months ... He Was Her First Boyfriend.

Carol Connors Wrote The Lyrics To Rocky Theme "GONNA FLY NOW."

She Also Wrote "HEY LITTLE COBRA."

She Is Currently Showing Her Documentary At Film Festivals, Hoping It Gets Picked Up By A Streaming Service.

>>>FRANK B REPORTING

Would love to see the documentary(kk) 

The Bellamy Brothers will celebrate their 50 Years Of Hits with their first-ever, headlining performance at The Ryman Theater in Nashville on June 25th.  In fact, it was also 50 years ago that their biggest hit, “Let Your Love Flow,” topped the pop charts as well.  One other crossover hit, “If I Said You Have A Beautiful Body Would You Hold It Against Me,” made The Pop Top 40. Out of over fifty charted country hits, ten of their hit singles have topped Billboard’s Country Singles Chart, including “If I Said You Have A Beautiful Body Would You Hold It Against Me,” “Sugar Daddy,” “Do You Love As Good As You Look” and “Kids Of The Baby Boom.”

Their Ryman appearance will be part of a lengthy tour that’ll last all year long, celebrating this career milestone.  (The tour is already underway, kicking off on January 17th in Immokalee, Florida and carrying on thru nearly 75 dates, ending December 5th at the Richard Childress Racing Welcome Ceremony.  (kk)

Looks like Billy Preston will be getting a new documentary as well.  “That’s The Way God Planned It” covers Billy entire career, dating back to the age of five.  Over the years, beside The Beatles, Billy has recorded and toured with the likes of The Rolling Stones, Little Richard, Ray Charles, Barbra Streisand, Eric Clapton and many others … and this promises to be a very interesting documentary.

The film will premier at New York City’s Film Forum on February 20th and then show in selected theaters thereafter.  (kk)

A short while back we told you about a new book celebrating the story of Shelter Records and The Church Studio down in Tulsa, OK.  It’s a coffee-table book for sure and the legacy of artists who recorded there is overwhelming.

Well, now comes word that a companion piece album is being released later this month.  Titled “Sanctuary Of Sound,” it is due for release on January 30th.

From the official press release:

SANCTUARY OF SOUND – THE COMPANION ALBUM OUT JANUARY 30

When the book Sanctuary of Sound was released in August, it immediately ignited engagement with a comprehensive look at the renowned The Church Studio in Tulsa, Oklahoma: the original home of Shelter Records, producer Denny Cordell, and the Master of Space and Time, Leon Russell.

Contained in its 344 pages are detailed accounts of how Cordell and Russell first discovered the location (actually sitting in a coffee shop directly across the street from its location); the initial artists; details of its earliest recording sessions; including Russell; The Gap Band; Mudcrutch (Tom Petty); Eric Clapton; George Harrison; Willie Nelson; Michael Bolton; Freddie King; Bob Marley; JJ Cale; Phoebe Snow; Don Nix; Mary McCreary, Dwight Twilley; Ringo Star; Bob Seger; Jimmy Buffet; Bonnie Raitt; Stevie Wonder; Oak Ridge Boys; Kansas; Richard Torrence; and of course, Leon Russell as himself, and as Hank Wilson; many of the original Shelter-ads; and an exhaustive look into the machinations of running the studio.

Now, CEO Teresa Knox (the current owner and proprietor of The Church) has meticulously put together a companion album for the book, which features nine songs for the book’s nine chapters. Says Knox: “Sanctuary of Sound is told through nine songs for nine chapters, each a companion to the century-old story. All the tracks were recorded at The Church Studio and each track is an original work, written and performed by Tulsa artists who are inspired and embrace the significance of the building. The opening track is a cover of “Amazing Grace” – with the band’s interpretation."

The book, which has received critical praise from the likes of Goldmine Magazine, MusicDrivesUs podcast; MIX, Times Square Chronicles and Medium; is now officially joined by a companion album. Adds Knox, “The opening song honors the early church congregation, transitions to the Tulsa Sound of the seventies and recordings of the eighties, and carries into the 'People's Church,' including the 'church' choir made up of studio volunteers, employees, and members. The music is created by Oklahoma artists and pays tribute to the musicians, The Church, and a heritage that continues to resonate with visitors today. In addition to being released as a full album, each chapter of the audiobook opens and closes with snippets of these recordings, inviting the listener to step inside and stay awhile.”

Today, the studio continues its historic recording session, which have included recent sessions by: Kenny Loggins; Dropkick Murphys; Tommy Emmanuel; Bill Champlin; John Ford Coley; George Thorogood; Southall; The Mountain Goats; Elle King; Wade Bowen; Michael Martin Murphey; Turnpike Troubadours; John R. Miller, and Disney's Jordan Fisher.

Also, Taj Mahal, who won a Grammy in 2025 for Swingin’ Live at The Church, which was completely recorded there.

SANCTUARY OF SOUND REVIEWS:

·Mix Magazine: “The massive book is inevitably a paean to the facility’s founder, Russell, but it’s also a carefully documented history of the recording studio and the incredible music that has been has been birthed there, as well as a tribute to the determination of author Teresa Knox, who brought the studio back from oblivion starting in 2016."

·MEDIUM: “Leon Russell had earned widespread recognition as a prolific artist even before purchasing the historic building. His song “A Song for You” has been covered by over two hundred performers, including Aretha Franklin, Michael BublĂ©, Whitney Houston, Neil Diamond, Cher, Amy Winehouse, and Joe Cocker.  In March 1970, Cocker and Russell put together the notorious Mad Dogs & Englishmen tour. It was a 48-city excursion that took place over a short 60 days. A live double album was later released featuring recordings made during their performances in New York City on March 27 and 28”. 

· NPR/Theater In The Round: “Author, studio owner, producer and historic preservationist Teresa Knox discusses her longtime Leon Russell fandom, her recently published coffee table book Sanctuary of Sound: The Church Studio Story dedicated to the legendary Tulsa recording space and the January release of Sanctuary of Sound: The Companion Album.”   

· Tulsa People: “Just east of downtown Tulsa, a dynamic history reverberates within the stone walls of The Church Studio. From its initial use as a place of worship to its transformation into Leon Russell’s headquarters for Shelter Records, to years of abandonment until it was restored as a state-of-the-art recording studio by Tulsa entrepreneur Teresa Knox.

· Times Square Chronicles: “This deluxe 12×12-inch, 344-page volume presents the full saga of The Church Studio — chronicling its inception as land granted by the Muscogee (Creek) Nation, its transformation into a sacred church, and, in 1972, its celebrated rebirth as a recording studio under the legendary musician and producer Leon Russell. Under Russell’s ownership, The Church Studio became a creative epicenter, shaping American music history and hosting a constellation of acclaimed artists, and serving as the headquarters of the trailblazing music label, Shelter Records.”

And you can look for a 4-CD Collectors Set of Leon Russell recordings coming out on March 20th.  “The Paradise Years, 1976 – 1981” will feature many tunes recorded with his wife Mary. (The box set includes newly remastered editions of “Leon and Mary’s Wedding Album.” And their follow-up LP “Make Love to the Music” as well as Leon’s “Americana” and “Life and Love” plus Mary Russell’s “Heart of Fire.” As if that’s not enough “The Live Album” by Leon Russell and The New Grass Revival will also be included as well as seven rare, new-to-CD bonus singles. (kk)

Andrew Gold also gets the box set treatment with a brand new 6-CD + 1 DVD collection coming January 30th.  It features all four of his Asylum albums plus a disc of outtakes and unreleased recordings as well as a live cd recorded in 1976 and 1977.

The DVD will feature promotional videos that Andrew made as well as television appearances and interviews.  (Looks like we’re off to a great start here in 2026!)  kk

If you're a Lovin' Spoonful fan, boy, is this the box set for you!

Cherry Red Records has collected the COMPLETE Lovin' Spoonful collection of '60's recordings, 1965 - 1969, and packaged them all together in a 7-CD box set.  Mono and Stereo versions of their early LP's, bonus tracks (outtakes and demos) ... QUITE the complete collection to satisfy ANY Lovin' Spoonful fan.

More details here:  https://theseconddisc.com/2026/01/26/cherry-red-lovin-spoonful-daydream-box/ 

Happy 2026, Kent!

How are you?

I have been busy working on Micky Dolenz's 60th Monkees tour book, a David Cassidy photo book, and finding photos for a Huey Lewis & The News documentary.

Sent you a few photos to post on the blog.

The two black and white photos are from Jim Edmundson's archives.  He did security at this show in Phoenix (January 21, 1967) and then was hired to do security on the 1967 Summer Tour. Tomorrow (January 22, 1967) it was The Monkees at the Cow Palace in San Francisco 59 years ago.  They filmed both concerts and used footage from both of those venues in the episode "Monkees On Tour."

May this New Year be healthy, joyful and prosperous for all of us.

I heard about the arctic blast there in Chicago ... be careful!

LYB, 

Gary Strobl


 
 




Hey Gary!  Happy New Year!  Looking forward to see all three of the projects you’re currently working on.  Let’s catch up next time you’re in Chicago.  (My schedule is a lot more flexible now that I’ve retired!)  But definitely let it warm up first … this weekend they’re forecasting windchills of -35 to -40 degrees!!!  (kk)

The 2026 Songwriters Hall Of Fame inductees have been announced …

Walter Afanasieff, Terry Britten and Graham Lyle, Paul Stanley and Gene Simmons of KISS, Kenny Loggins, Alanis Morissette, Christopher “Tricky” Stewart and Taylor Swift

The Inductions and Awards Gala Ceremony is scheduled for Thursday, June 11th, at the Marriott Marquis Hotel in New York City.  Unfortunately this event is not televised or open to the public.  (kk)

Best Classic Bands referenced another WLS Chart, spotlighting a great week in Top 40 Music, this time from the last week of January, 1969.  (In fact, the chart is actually dated 57 years ago today!) 

Since they didn't run it, we figured WE would ... check it out right after you read their tribute via the link below ...

https://bestclassicbands.com/radio-hits-january-1969-1-25-166/ 


You'll see our very own Chuck Buell mentioned at the bottom ... Todd Rundgren's original Nazz version of "Hello It's Me" at #40 ... and a local hit by Chicago's New Colony Six posted at #28.

We weren't the WLS Silver Dollar Survey anymore in 1969 ... 

By this time, John Rook was running the station (in fact, it was John who brought Chuck Buell to Chicago) ... and his musical buzz words were always "The Hit Parade" ... so that's what we became.

Still, we featured a WIDE variety of musical styles ... you'll find psychedelia, courtesy of Tommy James and the Shondells, hard rock via The Doors and Spirit, soul by Sly and the Family Stone and The Young-Holt Unlimited, Elvis Presley and Paul Anka back on the charts a decade plus after they started, bubble gum by The 1910 Fruitgum Company, show tunes courtesy of Sammy Davis, Jr. and even a little bit of country thanks to Tammy Wynette and Johnny Cash.  (Boy, I sure do miss those golden days of Top 40 Radio!)  kk 

Best Smile of the Day …

Remembering George Burns on his birthday 🎂!!!! January 20th.  Seen here at Chasen's. I asked him if I could get a photo and he told me to wait a minute ...

Then he came  back with Carol Channing and Betty White! 

Jim Roup




Monday, January 26, 2026

Shelley's ALBERT LEE Concert Review

Yesterday, we told you the story of Stagger Lee …

Today, Shelley’s got a review of ALBERT Lee  (yeah, I know … different guy) …

But worth reading just the same!

ALBERT LEE CONCERT REVIEW

Albert William Lee (born 21 December 1943) is an English guitarist known for his fingerstyle and hybrid picking technique. Lee has worked, both in the studio and on tour, with many famous musicians from a wide range of genres. He has also maintained a solo career and is a noted composer and musical director.

That is what Wikipedia has to say. I have never seen him on tour with his band. The only input I can offer is from a tour with Peter Asher. Now that I have attended a concert of Lee's, I more fully understand how he and Asher connected. 

The audience came in singing Albert's praises and stating how they have been waiting for this concert. The concert is at The Katherine Hepburn Performing Center. (We all know how much I love that place.)  They were here first to see Albert Lee and secondly, to support this great site.

I hear them explaining:  There will be an opening act that will sing six songs for a half hour. Then there will be an intermission. The reason for the early intermission is because Albert and his group want to perform continuously for 90 minutes. It actually turned out to be two hours. Let's begin.

The Cryers, who have appeared as openers at The Kate five times now, have also been frequent openers for Albert's tours past and present. Joe Orlando and Belle Liao are the mainstays of this group with alternating drummers and a new 24 year old lead guitarist. Opening with Green Tangerine and following with five original compositions covering different styles, they have been a good opening choice for Denny Laine, Joey Molland, Albert, Micky Dolenz and many others.

At intermission, The Cryers help set up for The Albert Lee Band. When all is ready, Charlie Faragher (drummer), JT Thomas (keyboards), David Chamberlain (bass) and Albert walk on quietly and the band waits patiently as Albert gets himself set up. The three band members sit silently. watching Albert and smiling. It is customary for drummers and keyboard players to sit, but even Chamberlain, who is wearing an African caftan, sits and I wonder if this is going to be a more somber concert than I anticipated. When Albert speaks, it is with the soft unassuming British tone that I hear while watching the BBC. 

THEN THE MUSIC BEGINS!

'Setting Me Up' is definitely not soft and quiet. Chamberlain has risen to his feet and from here on in, the band continues a grounded, unassuming stature while the music showcases the talents of all four musicians. 

Albert had experience playing with Emmy Lou Harris, Don Everly. Eric Clapton, and The Everly Brothers when they reunited. He has a wealth of stories that escort the songs forward and motivate the audience to bounce along in their seats.

Country Boy

Spellbound

Runaway Train

Luxury Line

If You Don't Want To, You Don't Have To 

Too Young To Die

Highwayman

These are just a few of the songs from the show. Praise for Albert's guitar picking innovations rise up in every article written about him. His band has also picked up unusual instrument techniques, and my eyes float back and forth trying to catch it all. They watch each other and smile, thoroughly enjoying the challenges they have assumed. When the band is introduced, they turn to each other, shaking hands and saying, "Hi, I'm ..."  This all creates a grounded and humble atmosphere.

They were brought back for encores by a sold-out standing ovation. They ended with Glen Campbell's 'A Better Place' and Johnny Burnett's 'Tear it Up'

The country rock sound that Albert Lee came over to America to play filled up The Kate. Even ushers said, "That was great! That is why I wanted to work tonight."

Shelley J Sweet-Tufano

NE Correspondent

Forgotten Hits

Sunday, January 25, 2026

A Staggering Sunday!

My recent comment: 

>>>The number of "our era" pop songs being used in commercials right now is staggering!  (kk) 

Inspired Chuck Buell to write this ... 

Absolutely Staggering, Lee!

https://www.youtube.com/watch?v=FCPutYaGFlE

"Based on a True Story!'

But then, you already knew that … and it’s probably why some stations, although while not a "banned song," were leery of playing it!  Still, a Four-Week Number One Forgotten Hit in 1959!

CB!

Which inspired ME to dig out THIS from The Forgotten Hits Archives ... 

And a Top 20 Hit multiple times after that …

Wilson Pickett (as “Stag-O-Lee”), #17 in 1967

Tommy Roe (as “Stagger Lee”), #19 in 1971

Here’s how WE covered its history (from The Forgotten Hits Archives) …

‘60’s FLASHBACK

Stagger Lee

Stagger Lee (also recorded as both Stack-O-Lee and Stag-O-Lee) was first recorded in 1923 by blues / folk artist Mississippi John Hurt. The song tells the story of a murder that took place on Friday, December 27th (most often erroneously remembered as occurring on Christmas Eve) at The Bill Curtis Saloon in St. Louis, Missouri, back in 1895. According to legend, "Stag" Lee Shelton, a cab driver (and black pimp), shot and killed William "Billy" Lyons with his 44-caliber revolver after Billy snatched Stag's Stetson Hat. The story (as documented in The St. Louis Globe-Democrat in their issue dated Saturday Morning, December 28, 1895) read as follows:

"William Lyons, 25, colored, a levee hand, living at 1410 Morgan Street, was shot in the abdomen yesterday evening at 10 o'clock in the saloon of Bill Curtis, at Eleventh and Morgan Streets, by Lee Sheldon.  (NOTE spelling: Sheldon's CORRECT name was Shelton but it was misspelled throughout the newspaper article)  Sheldon, a carriage driver, also colored, lives at North Twelfth Street.

"Lyons and Sheldon were friends and were talking together. Both parties, it seems, had been drinking and were feeling in exuberant spirits. The discussion drifted to politics, and an argument was started, the conclusion of which was that Lyons snatched Sheldon's hat from his head. The latter indignantly demanded its return. Lyons refused, and Sheldon drew his revolver and shot Lyons in the abdomen. When his victim fell to the floor, Sheldon took his hat from the hand of the wounded man and coolly walked away.

"He was subsequently arrested and locked up at the Chestnut Street Station. Lyons was taken to the Dispensary, where his wounds were pronounced serious. He was removed to the city hospital. At the time of the shooting, the saloon was crowded with negroes. Lee Sheldon is also known as "Stag" Lee."

Lyons eventually died from the gun shot wounds inflicted that night. Shelton was tried and convicted and ultimately served prison time for the crime. In fact, he died in prison in 1912 of tuberculosis.

Although a total of five similar murders occurred that SAME day in St. Louis, for some reason the story of THIS murder spread and grew ... soon embellished and set to song. (Clearly, not only do you not tug on Superman's cape or spit in the wind or pull the mask of the ol' Lone Ranger ... but you ALSO do not mess around with Stag Lee's Hat!!!) In fact, Lee Shelton's "badness" grew at one point (according to Julius Lester's "Black Folktales") to near mythical proportions:

"Stagolee was, undoubtedly and without question, the baddest nigger that ever lived.
Stagolee was so bad that the flies wouldn't even fly around his head in the summertime, and the snow wouldn't fall on his house in the winter."

Most historians consider the Mississippi John Hurt version to be the most definitive, as it recounts most of the elements that eventually appeared in most of the musical retellings of the tale.

The first CHARTED version of Stagger Lee occurred in 1950 when an artist called simply Archibald (actually, a guy from New Orleans named Leon Gross) hit The Top Ten on Billboard's Rhythm and Blues Chart. This was the first time the common melody associated with this tune came into our consciousness.

Nine years later, in 1959, Lloyd Price would top both Billboard's R&B Chart as well as their Pop Chart with his rendering.  (This is the version that Chuck Buell is referring to above … the provided YouTube link will take you there.)  His rocked-up version would become the biggest hit version, going all the way to #1 on The Billboard Hot 100 Pop Singles Chart.

DIDJAKNOW? - 1: Dick Clark was so concerned about the song's description of a murder that he had Price cut another version for airing on American Bandstand!!!
He needn't have worried ... it was the original, unedited "scary" version that topped the charts!!!

DIDJAKNOW? - 2: Lloyd's cousin was a guy named Larry Williams, who also served as Price's driver and valet. When he, too, got interested in music, Lloyd got him an audition with Specialty Records, where he recorded the '50's rock and roll classics Short Fat Fannie and Bony Moronie. The Beatles (and John Lennon in particular!) thought enough of Larry's recordings to record three of his compositions: Dizzy Miss Lizzy, Slow Down and Bad Boy … thus immortalizing them for the next several generations to come with their own versions of these tunes.

DIDJAKNOW? - 3: The background singers on Lloyd Price's version of Stagger Lee were none other than The Ray Charles Singers, a move Price says was calculated to help him cross-over to a white record-buying audience.  (P.S. It worked!!!)

In 1967, The Wicked Wilson Pickett cut a GREAT soulful version that went all the way to #17 on The Cash Box Chart. (It remains yet ANOTHER Top 20 Hit COMPLETELY ignored by oldies radio today ... and that's a shame because it's a GREAT version!!!)

And, in 1971, bubblegum star Tommy Roe cut probably the most "vanilla" rendition ever committed to vinyl. 


Over the years, versions of Stagger Lee were recorded by artists as diverse as Beck, Pat Boone, James Brown, Nick Cave and the Bad Seeds, The Clash, Neil Diamond, Dion, Fats Domino, Dr. John, Bob Dylan, Duke Ellington, The Fabulous Thunderbirds, The Grateful Dead, Woody Guthrie, Bill Haley and the Comets, The Isley Brothers, Tom Jones, Huey Lewis and the News, Jerry Lee Lewis, The McCoys, Memphis Slim, Elvis Presley, Professor Longhair, Ma Rainey, The Righteous Brothers, Tom Rush, Taj Mahal, Ike and Tina Turner, The Ventures and Doc Watson ... as well as literally HUNDREDS of others!

When this piece first ran in Forgotten Hits, we featured a couple of the earliest known recordings, including a 1923 reading by Mississippi John Hurt and the first CHARTED version by Archibald (Part 1 and Part 2), a Top Ten Hit on Billboard's Rhythm and Blues Chart back in 1950.  Today, we’ve added to this list the Lloyd Price #1 Hit version (as well as his “cleaned-up” version that he recorded for “American Bandstand”), the Wilson Pickett soulful hit and the Tommy Roe damn-near bubblegum version.

 

And by the way, the legend of Stagger Lee lives on ... in his song “Shoulder Holster” from his “Blue Moves” album, Elton John sings "It was just like Frankie and Johnny ... and it was just like Stagger Lee" ... and in the (then) recent film “Black Snake Moan,” actor Samuel L. Jackson's character sings a little bit of the song. And, although we may have kidded about it in original piece, I've just GOT to believe that Jim Croce was at least in SOME way inspired by the escapades of Stagger Lee when he wrote his #1 Hits “You Don't Mess Around With Jim” and “Bad, Bad Leroy Brown.” Suffice to say, Stagger Lee's fame was widespread and legendary.

Wanna do MORE research on this tune??? You'll find ALL kinds of referrals for Stagger Lee on the web ... just google that title and over 100,000 references will pop up!!!

In fact, it's now speculated that part of the reason the story of Stagger Lee
spread as quickly (and as widely) as it did was due to a song called “The Bully Song,” first featured in the Broadway Musical “The Widow Jones” back in 1895, about three months BEFORE the murder of Billy Lyons took place at Bill Curtis' Saloon.
In those original lyrics, we're warned:

"Have you heard about that Bully that just came to town?
He's down among the niggers, layin' their bodies down.
I'm a-lookin' for that bully and he must be found."

It's believed by some that Stagger Lee's name was later inserted as the source of some of the nasty deeds performed by The Bully ... and that as the legend grew, more and more evilness was attributed to The Stag Man over time.

Meanwhile, with literally HUNDREDS of recorded versions of the song in existence, Stagger Lee's reputation for "badness" grew over the years ... so much so that in one version, Stagger Lee appears in hell after he is executed and is SO bad that he takes control of The Devil's Kingdom!!!

Rolling Stone Magazine (when naming “Stagger Lee” one of the 500 Greatest and Most Influential Rock And Roll Songs Of All-Time) referred to Stagger Lee as "the original gangsta"!!! I think they just may be right!   (kk)